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Face Painting Client Contracts…What Do I Write?

It’s that time of year when quote requests are coming in and your inbox may be filling up with leads from gig sites.  If you’re still new to operating as a business, this time is exciting but also scary, as you realize you need to get your act together with a contract!

Face painting is a fun and colorful profession…I try to make even my contracts reflect that! 😉


You start out face painting and give all of your clients the benefit of the doubt…you trust that they want you when and where they say they want you, and that they will pay you for your work.  Then comes the day you learn your lesson the hard way that you should have gotten a contract and deposit because:

  • You show up and the event has been cancelled.  
  • You do an event and then never get paid.  
  • The client found someone cheaper at the last second.
  • The client hired someone else and forgot to tell you.
  • You’ve turned away several other gigs for this one and now have none.  
  • The venue has changed and nobody informed you.
  • It started to rain so they rescheduled the party.
  • The client told you there would be 10 kids and there are 30 but they still expect you to paint them all in 1 hour.
  • The client told you there would be 10 kids and only 5 showed up so now they want to pay you half.
  • You think you have landed a gig but then can’t seem to get ahold of the client and they stop communicating with you.
  • The client argues that you didn’t do what you promised them and now they’re refusing to pay.


Yes, ALL of these things have happened to face painters that I know of!

If you’ve already had one or more of these things happen, don’t let it get you down…it’s happened to just about every seasoned professional painter out there, and it’s what nudges us all into that next step of requiring contracts and deposits, and one of the factors that will differentiate a job from a hobby. My hope is that this never has happened to you, that you read this, and learn from our mistakes.  It’s never too early and you’re never too new as a face painter to start using contracts!

First, I must note that I am in no way a legal professional.  Nothing I say here is meant to be taken as legal advice, and you and only you are responsible for what you decide to do with your business. I personally have no idea what exact terminology is best for legal things…I am only collecting and assembling verbiage from other contracts I have seen and used.  I highly recommend that you have a legal professional look over your final contract and answer any legal questions you may have, to make sure you are covered!
That said, I thought it might be helpful to just post some ideas on verbiage that people put into their contracts. This post is meant to be a starting point in deciding what you’d like to have in your contract. This is essentially a list of different ways to word things, taken from contracts that other artists have shared online, and my own.  By the way, if you have your own verbiage that you’d like to share with others, please comment below or email me! My plan is to keep adding to this post as a resource! My hope is that this will not only help you think about what things are important to you in your contract, but will enable you to easily cut and paste to get a start on your own contract.  Remember, your contract doesn’t have to be set in stone either…you may find things that you didn’t think were important, later become important, so you adjust it for the next client.
What to call it:
Booking Agreement
Event Contract 
Service Agreement

Basic Event Information:

Booking Requirements: What you require to consider the gig booked
Fees: What you are charging the client
There are various fees to consider in your contract. First, there’s the fee for your work, which might be per hour, per child, or a flat rate for the party. Be clear about this in your contract, so that the client knows exactly what they are paying for, and what they are not paying for.  If you’re charging by the hour, make sure you’ve allotted enough time to paint all the expected kids. If there end up being more kids than expected (which happens a LOT), make sure you outline a plan so that you either get compensated for extra time, or the client is aware that you won’t get the extra kids painted.

Then there are travel fees. Most artists have a certain mileage radius or amount of drive time that is included, and they don’t charge a travel fee if it’s within this range.  I tend to charge by the drive time, not miles, because my time is money! If you are having to turn away other gigs closer to home to accommodate the additional drive time to an event, you may want to charge a travel fee.  Some clients won’t realize how far you are from them, especially if they found you online. But don’t assume they aren’t willing to pay for your travel time. I have had events that are 2-3 hours away one way who have paid my full hourly rate just for the drive time on a busy summer Saturday.  Make the rate whatever is worth it to you for your time and gas. Travel fees are also a great place to offer a discount for customers looking for one. I often waive the travel fees if it is a long gig, say 3-4 hours or more.

The other fee is your deposit. Some artists call this a booking fee, or a retainer. The deposit has to be a high enough amount that it would hurt the client a little if it were forfeited…otherwise there is no point. What good will a $20 deposit do you if they later find someone who costs $30 less per hour and hire them instead? The deposit is there to ensure that you are not setting aside a busy summer weekend, turning away other paying events, only to later be cancelled on and make $0.  If for some reason it’s cancelled still, you at least make something for blocking out your time and all the time you spend in communication with the client, preparing your designs and equipment, and writing up contracts.

Here are a few lines you might use to outline your fees:

Payment: When your fees are due and what payment methods you accept

Make sure it is very clear to the client how and when all fees are due.  If accepting personal checks for deposit, make sure you require them far enough out to confirm that they clear.  Accepting fees via Paypal is a great way to get paid quickly! However, they do take a percentage. Some artists charge an extra few percent for Paypal payments or credit card swipes.  I require Paypal payment of deposits for all last minute events which are within 2 weeks of the event date.  If the event is within 2 days of the original request, I require 100% up front via Paypal.  I am not a fan of procrastinating as it always causes extra stress and opportunity for mistakes.  Some artists offer a small discount if the amount is paid in full before the event, to encourage getting all the payment done up front.  Here are a few lines you might use to describe payment:
I’ve heard many stories of personal checks bouncing, but have not had this happen to myself yet.  Some artists call the bank first to make sure there are sufficient funds before cashing a check, to avoid fees. Some simply do not accept personal checks. This is entirely up to you!
Services To Be Provided:

They’ve hired you to paint faces. You’ve agreed to paint faces.  However, the two of you may have a totally different definition of this service.  Maybe the client assumes you’re going to just hang out and keep painting until everyone is painted, regardless of time or how many people show up.…while you know you have to pack up at a specific time to make it to your next event on time.  SO many issues can be avoided simply by managing your clients’ expectations. Make sure that you both understand exactly what you are providing, whether it be a certain amount of time, specific number of kids, etc.  Do you paint all of the adults who ask to be painted too?  What happens if you go over your agreed upon time? What if they want you to stay but you can’t? Does the client know that you may need a break or two to change your rinse water & use the restroom?  Do they know how much room you need for your setup?  Are you expecting them to provide you with a table and chairs? What if nobody shows up for the party? What if the party starts a half hour late? Here are a few lines to cover some of these things…


Don’t forget the services you are NOT providing:

Sometimes artists show up and find out that they are going to be in a room alone with 20 wild children while the adults sip beverages in the other room. Are you responsible for babysitting?  Are you expected to keep fixing designs that are repeatedly ruined because it is a pool party?

  • Artists will not be responsible for supervising children. Their behavior and safety is the Client’s and/or Parents’ responsibility, and client agrees to provide proper supervision for all children.
  • Artist is not responsible for any adverse effects that other entertainment might have on the face painting, such as sweat (bounce houses), water (swimming pools), etc. Your quoted time frame does not include time required to re-do faces so please plan accordingly.
  • Client is responsible for providing _________. (table, chairs, tent, etc)

 

Working Conditions

I’ve heard quite a few horror stories about painters getting caught up in fights, being subjected to angry, drunk, inappropriate and unruly party guests, and even having their paints ruined by sprinklers.  While it’s sad that we even have to spell these things out, sometimes it is necessary and nice to give yourself an out if you feel unsafe!  Other conditions also may come into play such as parking, apartment buildings with no elevators, etc.

Indoor Events:
Outdoor Events:
Rescheduling: In the event of a cancellation, rain, etc…

You’ve done your part by securing your event with a deposit. But what if they still want to cancel? Sometimes things happen that are out of the control of you and the planner and things change. Make sure you have a plan if this happens so that you don’t end up without a gig on a normally busy weekend.


Limits and Liability:
Allergic Reactions, Health and Safety
Subject Matter
Photo Release

You may want to take photos for your own website, Facebook page or advertising.  I like to share photos online and usually just ask the parents if it’s okay if I take their child’s photo.  Some people bring a photo release and have the parents sign them.  You can include verbiage about this in your contract too. I don’t normally include this,  just because at birthday parties you may not have all of the parents there to get permission from and the host may not have the authority to grant you permission to take photos of other people’s children.  I do put this in my contracts for belly paintings and private sessions though, as it’s easy being only one person painted.

Acceptance of Contract
I hope this has been helpful for you in starting to form your own contracts! Getting anything in writing is better than nothing, and it really helps to ensure that you and your client are on the same page. If you’ve left out anything important or that you just didn’t think of, chances are you’ll learn and revise the next time around.  Most professionals revise and refine their contracts many times as different situations come up, to avoid them happening again, so this is a natural process! This blog post is a living document, and I do plan to add more verbiage as I come across others. Thanks for reading and happy painting!! 🙂
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