Year: 2015

I recently was quoted in a magazine article. Normally I’m really excited when this happens, but this particular article I had some mixed feelings with.

I was contacted back in February 2015 by a reporter from Woman’s World. She stated,  “…I’m doing a piece for Woman’s World on how to make extra money as a face painter and wonder if you’d be available for a brief interview….”

Hmm…”extra money?” These words made me fear that this article may go in a direction that I and other professional face painters may not like.  I had two reactions. First, “Don’t reply…you do NOT want your name attached to this.”  Then, “Hey, this might actually be a great opportunity to build up the credibility of our profession and really give aspiring face painters good advice.”

First, let me mention that I have NO problem with competition…good, healthy competition makes us all better!! The other artists in our area will even tell you that I LOVE getting to know my “competition,” love to jam with them, learn with them, and LOVE to help out new face painters! That itself is clear from my website too, which may be why I was contacted.  So, my reaction has nothing to do with that aspect…but about building up my fellow painters and our profession.

What I did NOT want to encourage are the ideas that:
– Face painting is easy
– It doesn’t cost much to start face painting
– Anyone can face paint and earn extra cash
– Face painting is something people just do “on the side” for “extra cash.”

My response was a really lengthy email that I will paste below so you can see my attempts to spread the word about our profession.  I actually had to think about this for 2 days before I finally replied because I wanted to be really careful that I wouldn’t come across as endorsing the above points and make it clear that my participation hinged on how things were presented. But more importantly, I wanted to make sure to take this opportunity to actually educate the public about what it really takes to be a good face painter without making a lot of local enemies! This is why I said that I would agree to an interview ONLY if they were not portraying face painting in this “extra cash” light.

“…I would be super honored to be a part of your article! However, I’m afraid my participation will depend on how you’re handling the subject. Let me explain…

There are many, many face painters out there who have a solid career in this field, and even support their families on face painting alone.  I know you’re aiming you article at moms who want to do it on the side, which is great, as most professional face painters start in this way!  But, it’s really important to dot some i’s and cross some t’s along the way….

In my opinion there are two types of face painters who do it “for extra money” while also working other full time jobs or full time motherhood:

1 – Those who paint for free or cheap for charity, school & church functions, and may charge a little money to paint for some birthday parties here and there…they buy a set of paints, whatever they can find cheap at the craft store, and do it more as a hobby for some extra cash…in our area these artists are anywhere from free to $50 per hour.

2 – These are artists who also do face painting on the side for extra cash, but treat face painting as a legitimate business, not just a hobby. At a very minimum, they invest in FDA compliant face paints and cosmetic glitters, and they purchase liability insurance for their business.  If they really want to do well at it, they invest time and money in publications, conferences, workshops, certifications, and subscriptions to online learning (like http://www.fabatv.com).  These artists typically charge as low as $75 for a brand new artist, to $200 per hour.  Most in my area are around $100-$175 per hour but it depends on the market somewhat.

…[inserted the story of my face painting career here]…

As professional face painters we are constantly struggling to educate our clients about our worth as professionals and face painting as an actual profession.  Those who fall in the 1st category are extremely damaging to our business and our market, and unfortunately can cause us to back track a lot in this “education.”  We work very hard to explain the fact that this is a profession, that there are certain standards that should be followed, and why we are worth what we charge.  There is also a lot of time involved in events outside of the hours that are spent actually painting, and most new painters don’t think to consider all of this time and expense. Here is a post I did explaining how a $100/hour rate doesn’t mean the artist is pocketing $100/hour: http://paintertainment.blogspot.com/2014/03/you-charge-how-much-per-hour-why-its.html

Many who fall in category 1 simply don’t think about these things. They aren’t aware that by charging so little, their “extra cash” is actually eating into someone else’s only paycheck.  They don’t make much at it, so they can’t justify putting in the needed investment in quality, safe supplies and insurance. Sadly, many even use homemade face paint with things that are not meant to be worn on the skin for a long period of time, or worse yet, they use tempera, acrylic or other “non toxic” craft paints which can cause horrible reactions.  Here’s a blog post with more info on that topic and why it’s SO important to use the right products: http://paintertainment.blogspot.com/2011/10/paintertainment-faq-is-any-non-toxic.html  Our kids’ health and safety is worth a little research for sure! Over time they can learn, of course, but in the meantime, we are left to pick up the pieces, get our clients back, and remind them why they get what they pay for.

SO, all of that being said (sorry so long…you can tell I’m passionate about this!), I would absolutely jump at the opportunity to be in your article if the intent is to not just encourage moms to do this on the side, but encourage them to be sure to at a minimum:

– Purchase ONLY FDA Compliant face paints
– Use ONLY glitters that are FDA compliant for cosmetic use (metallic craft glitters can scratch the cornea!!!)
– Research what the going rate is in their market and charge in that range. If you want to be cheaper because you are new, let your clients know that this is an introductory rate while you get some experience, and then raise your rates as you get better.
– Purchase liability insurance as soon as you can afford it, at least if you expect to keep face painting, because many larger events actually require this for you to paint.

(I could give a lot more tips for beginners and things to do, watch out for, etc, but these are the bare minimum anyone should consider)

I absolutely love to help out beginners to get them the right start!!  In fact, years ago when I opened my online store I put together a little starter set that has a small palette of quality, FDA compliant paints (that can be re-filled, unlike the cheap ones at the craft stores), brushes, a sheet of designs, and a book I wrote full of tips for those who have never painted a face. It was meant as a solution to those who either couldn’t afford to hire me, or had been asked to volunteer at their kid’s school and didn’t know where to start. It gives them a great start with safe supplies and helpful instructions: http://www.paintertainment.com/StorePackageDeals.html  If you scroll down to the next package deal, this is what I recommend for those really wanting to turn this into a real business.  Beginners also will find a wealth of FREE information on my “learn” page, http://www.paintertainment.com/Learn.html …and by subscribing to my free monthly e-newsletters.

Anyway, if this sounds like the direction your article will be going in, I’d love to do an interview! …..”

I thought I was pretty clear and thorough, and had my bases covered! Just 10 minutes after I sent this email, I was sent a reply that stated she had already interviewed another face painter, and she no longer needed to talk to me as she had enough information to use between the two of us. I was told that she would “focus on being a quality face painter,” and that was that.

2 months later I saw a photo of this article show up on Facebook, shared by SillyFarm, since they too were mentioned in it.  I was excited at first, and then saw the headline…I fount it to be really a punch in the gut to professional face painters in general.

Since my name and my company were quoted in this article, I felt it important to clarify MY position on some of the things mentioned in the article:

• “Ka-Ching!” Really? I see that none of my requests to include info about what it actually costs to be a face painter were included….

• “…you can earn up to $100 for the first hour and $40 to $50 for each subsequent hour…”  I’ve been painting professionally for 20 years, and not only have I never heard a price structure with a 60% discount for the 2nd hour, but on another note, I didn’t even charge $100 per hour until I was going on 18 years of experience.  Most painters actually require a 2 hour minimum, and I’ve never met an artist with such a strange structure as this.  Secondly, a beginner face painter shouldn’t be charging $100 per hour.  While under-cutting is seriously frowned upon in our industry, a new painter should get to know her local competition and the going rates.  She should start out at a rate that matches her experience and skill, make sure clients know that this is an introductory rate while she gains experience, and then work her way up to the going rate. It really does help EVERYONE in the market this way.
• “…buy a simple face-painting kit at Party City…” I would never recommend Party City for face paints.  This is probably the place your most likely to find those super cheap “Made in China” sets that can’t be refilled, which a little research will show you are less regulated and more likely to cause reactions.  And the word “craft store” should not even be mentioned without clarifying that you should only buy actual face paint…too many beginners use tempera or acrylic which is dangerous! I WOULD recommend that if you go to a craft store, you look for Snazaroo because it at least is a legitimate, safe face paint.  I often suggest that newbies and volunteers take their 40% off coupon to Michaels for a set of Snazaroo if they are on a super tight budget. Not the best, but still safe!
• Do street fairs and “get a lot of exposure.”  There it is, folks…the “e” word that makes us all throw up in our mouths a little bit.  If you’ve been a professional face painter for a month you’ve gotten requests to work for “exposure.” Unpaid gigs get you more unpaid gigs.  There is nothing wrong with gaining exposure, we all need that! And I know the article mentions paying a booth fee to do this, it does not say we should paint for free which so many clients ask us to do.  But, I suggest that you attend events yourself first and make sure they are actually well attended, and a place where people go intending to spend money on their kids, before you can even think about making a profit.  Also, make SURE there are not already artists there painting!! Taking an established hourly paying gig from an artist who is there every year by offering it for free or offering to pay for a booth will gain you one mediocre gig and many local face painter enemies.  Play nice, it really does pay off!!

Okay, that about sums up my rant. I mainly just wanted my original email to get out there so that everyone can see all of my recommendations, not just the tiny snippet that was published. 

As you already know, I LOVE to help out new artists!! If you are a mom looking to start up face painting on the side, please feel free to email me any time. I would love to give you any advice and help needed, recommend a place to start with products, etc. Also, feel free to peruse my “learn” page which is FULL of sound advice and step-by-step’s!

 
We have a few unique, new items added to the shop! Check them out and click on the links below to go right to them in the shop…

Invisible Glove, $7.75

Invisible Glove works just like it’s name describes! Apply it to your hands like a lotion before your gigs, and it will protect your skin and nails from being stained by paint. Finally a way to protect your hands without wearing an actual glove! When you’re done, simply wash it of with soap and water, along with any paint on your hands.  Comes in a large 5oz tube for $7.75.

Pewter charm, $3.00

 Have you ever done henna for a belly blessing, and seen each of the guests bring a charm for the mom-to-be? These little henna hand charms are the perfect little thank-you gift for your belly henna clients! We have an assortment of designs now available in the shop, ranging from $1.50 to $3.00 each. 

Gold toned charm, $3.00

 These charms are also perfect to turn into earrings to wear to your henna gigs!

Hand charm, $1.50

 Looking for a cute way to package your henna client gift? We now have these little silver organza bags for just $1.00 each.  These are just the perfect size to hold a tube of henna balm, a charm, and a business card or personalized note!

Organza bags, $1.00 each

Thanks for stopping in! Happy painting!

It’s that time of year when quote requests are coming in and your inbox may be filling up with leads from gig sites.  If you’re still new to operating as a business, this time is exciting but also scary, as you realize you need to get your act together with a contract!

Face painting is a fun and colorful profession…I try to make even my contracts reflect that! 😉

You start out face painting and give all of your clients the benefit of the doubt…you trust that they want you when and where they say they want you, and that they will pay you for your work.  Then comes the day you learn your lesson the hard way that you should have gotten a contract and deposit because:

• You show up and the event has been cancelled.  
• You do an event and then never get paid.  
• The client found someone cheaper at the last second.
• The client hired someone else and forgot to tell you.
• You’ve turned away several other gigs for this one and now have none.  
• The venue has changed and nobody informed you.
• It started to rain so they rescheduled the party.
• The client told you there would be 10 kids and there are 30 but they still expect you to paint them all in 1 hour.
• The client told you there would be 10 kids and only 5 showed up so now they want to pay you half.
• You think you have landed a gig but then can’t seem to get ahold of the client and they stop communicating with you.
• The client argues that you didn’t do what you promised them and now they’re refusing to pay.

Yes, ALL of these things have happened to face painters that I know of!

If you’ve already had one or more of these things happen, don’t let it get you down…it’s happened to just about every seasoned professional painter out there, and it’s what nudges us all into that next step of requiring contracts and deposits, and one of the factors that will differentiate a job from a hobby. My hope is that this never has happened to you, that you read this, and learn from our mistakes.  It’s never too early and you’re never too new as a face painter to start using contracts!

• Date of the contract
• Your business name, address, email and phone
• Client’s name, billing address, email and phone
• Client’s contact number for the day of the event (in case you get lost or run late)
• Event name, address & phone (if different than client’s)
• Alternate Location in case of inclement weather
• Event Date
• Artist(s)
• Time slot of your performance
• Fees (hourly fee, flat rate, travel fees, etc)
• Type of Event (birthday, company picnic, grand opening, private session, etc)
• Theme of Event (Frozen, circus, super heroes, etc)
• Number of children expected
• Services to be provided (Be clear here, if you are agreeing to painting a certain number of kids, for a certain amount of time, etc)
• Artist Requests (table, chairs, shelter, access to a sink, anything required by the artist to paint. Don’t assume anything! You could end up outside on a cold, rainy day with no shelter and your chair legs sinking into the mud…yes, this has happened!!)

• A completed contract must be received ____ days prior to the event or client runs the risk of losing that date.
• A completed contract must be received in the office at least 14 days prior to the event along with a _______ non-refundable booking fee/deposit. 

• Travel fees apply when the event is more than ____ miles from _____.  
• An additional travel charge of ____ will be applied for each mile beyond ___ miles 1-way.
• A travel fee of ____ is due along with the deposit no later than ____.
• If your event exceeds the time booked and we are available to stay, any additional time will be charged in ____ minute increments at a rate of ______ per _____ minute increment.
• Client will pay for the time booked plus any time run over.
• Artists who arrive and are ready to paint at designated start time are not responsible for late arrivals or late start to the party.   
• The client will reimburse artist for any parking fees, which must be paid on the day of the event.
• A ____ Deposit/Booking Fee (percentage or flat fee) AND signed contract is required to reserve your date.

• All charges are due on the day of the event.
• The client agrees to pay the full amount contracted once the artist(s) have arrived at the event location.
• We accept cash, cashiers checks, personal checks, credit cards, Paypal… 
• Checks can be made payable to [Your company here].
• The client agrees to pay for any accidents or injuries caused by pets or guests, and/or any damage to artist’s equipment or supplies caused by pets, sprinklers, or guests.
• The remaining balance of this contract is payable to [Your company] upon the artist’s arrival, prior to the designated start time.  
•  The remaining balance is due upon the artist’s arrival on the date of the event.
• The remaining balance due must be postmarked no later than ___ to avoid late fees.
• We can accept Paypal payments or credit cards for an additional 3% processing fee.
• Late payments are subject to a 5% finance charge per month or fraction thereof.

• Artist will provide ___ hours of face painting, starting at __:__ and ending at __:__.
• Artist will arrive ___ minutes early to allow time to set up.
• If more guests attend the event than are expected, and the artist does not have another event to attend, the artist may stay longer and will bill client at the agreed upon hourly rate for additional time.
• Artists cannot be held responsible for the number of attendees at your event. 
• The artist may take a ____ minute break every ____ hours, for events that go more than ___ hours. 
• Estimated number of children painted per hour is dependent upon all of the guests being present at the start time and ready to go one after another. For a more casual schedule, please factor in additional time.

• Artist reserves the right to stop painting and leave without refunding any monies if there are extreme adverse working conditions and the client fails to remedy the situation after it has been brought to the client’s attention.  Adverse conditions include but are not limited to destructive, violent, or inappropriate behavior of a child, pet or adult, illegal activities, or otherwise dangerous conditions including lightening and severe weather.
• Please either leave a space open in front of the house on the street, the driveway, or a loading dock so Artist can unload equipment.

• Artist requires access to bathroom facilities, and a minimum of ___’ x ___’ space to work.
• Please ensure that location has adequate lighting but we can bring lights if necessary – please let us know.

• Client is responsible for providing an alternate indoor location in the event of inclement weather.
• Client must provide Artist with sun/wind/rain shelter, table, 2 chairs per Artist, and adequate space (___’ x ___’) and lighting to paint.
• Artists are not able to paint outdoors when the temperature is below ___ degreees.
• We can bring our easy-up shelter, table, and chairs for an additional charge of $____ . We will need to set up 25 minutes prior to start / after completion of event in this case.  We require a minimum of 10’L x 10’W x 11’ H of level space, adequate lighting, & access to a rest room.  Please avoid watering your lawn on the day of your party, or soak it heavily the previous day if possible, to accommodate our tent, table & chair legs.
• While Client can choose to pay for the Artist to bring an EZ Up shelter, for the comfort of your guests and our artists, the client agrees to provide an area with protection from extreme temperatures, sun, rain, snow and excessive wind.
• The client agrees to pay the full amount contracted once  the painter has arrived at the event location, even if it is raining.  Please note that we do not offer refunds for inclement weather.

• Should you need to reschedule your event, please do so at least ___ days prior to the event and we will do everything we can to accommodate your needs.
• We do not offer refunds for inclement weather so please secure an alternate indoor location for your event in advance.
• If you need to cancel your event, you must do so at least ____ hours/days in advance or pay the full contract amount.
• Should you need to  reschedule  or cancel your event,  you must provide us with an intent to cancel or reschedule notice at least ____ days in advance, in order to receive your deposit/booking fee back.  If notice is not given with those seven days you will only be allowed to reschedule.  
• Cancellations given within  _____  hours prior to the cancellation date will be held responsible for the remaining balance of the contract.  Remember no refunds will be given due to inclement  weather so please secure an alternate indoor location for your event in  advance.
• Deposits are non-refundable and required to hold event date. For events cancelled no later than ____ weeks before event date, the deposit may be applied toward a future date.
• Should our Artist get sick or have to cancel, we will find a replacement artist.

• Artists are not liable for allergic reactions to paints.  People with skin allergies or sensitive skin should either not participate, request an ingredient list, or have artist perform a patch test at the beginning of the event.
• Artist can provide ingredient lists for those guests who have allergies, if requested at least 24 hours before the event.
• Artist will not paint anyone who is or appears to be sick or suffering from cold sores, conjunctivitis, ringworm, sunburn, eczema, any infectious skin condition or open wounds.  These determinations are at the artist’s discretion.
• Artists are not liable for damage sustained from allergic reactions to face paints, products used for glitter tattoos or Henna stains.   
• Client understands that darker face paints will linger and must be removed with mild soap, water and washcloth.
• We strive to use only the safest materials, however, no product can guarantee that they will not cause a reaction on anyone. It is the client’s responsibility to be aware of ingredients that they may be sensitive to, and ask for an ingredient list if desired. 
• The artist reserves the right to refuse to paint any attendees with signs of infectious diseases at any point in the event. 
• Although we only use paints that are safe for use on skin, allergic skin reactions can occur and paint should be removed immediately.
• For safety reasons, artist will not paint children under the age of 2 or anyone who is unwilling.
• If the client knows beforehand of any attendees who have infectious/contagious diseases such as chicken pox, pink eye etc, the artist must be informed at least ___ before the event and the event is subject to cancellation without a refund of the booking fee. If the client does not inform the artist beforehand, and the artist’s equipment is subsequently contaminated, the client will be invoiced for the appropriate decontamination or if necessary, replacement of any affected equipment.

• Artist will not paint subject matter that he or she deems offensive or disturbing.
• At public events, artist will not paint on any part of the body that is not legal to expose or any place he or she does not feel comfortable painting.

• By having your guests painted and photographed, permission is thereby granted to use images for our portfolio and marketing materials, such as printed brochures, social media or website gallery images.  No names will be revealed.  If you do not agree, please inform us and you and your guests’ privacy will be respected.
• Artists may take photos of their work. Artist retains the right to use these images for promotional purposes on the company website and social media pages. If you do not wish for photographs to be taken, please inform us in writing prior to your event.

• Include a place to sign, print name, and date.
• “I have read, understand, and accept the terms of this contract.”
• “By signing this, you have read and agree to the above terms and conditions”
• “By signing my signature above/below, I affirm that I have read, understand and accept the Liability Statement and terms of  this agreement.  I agreeto pay  the  total amount due  unless  I give notice to reschedule within ____ hours/days of the event date.”
• “[Your Company Name] will contact you _____ days prior to your event to confirm all details. In the mean time, please feel free to contact us with any questions at __________.”
• “Once agreement and deposit are returned, this event is considered booked and you will receive confirmation by _[email or phone]__. Please retain a copy for yourself.”
• Have a line to sign on and date! If I have to send a Paypal invoice for a last minute gig, sometimes I’ll note on the invoice “Payment of this invoice constitutes agreement of the terms outlined in service contract” so it can count as their signature in a pinch.

It’s been busy around here lately!  Here are a bunch of random happenings…

New Products

We now have Cameleon Silver makeup in stock! Find it here!

We also have some fabulous new Global FunStrokes! Find them here!

Easter Egg Hunt
 
Earlier this month a friend and I painted at an Easter egg hunt! I probably spent way too many hours creating a whole new design menu of Easter designs but love how they all turned out and had a lot of fun doing them. Here are a few of them…

Preparing for Easter and springtime gigs? We have a great package deal full of springy goodies! Check it out!

I’ve had several requests to create a laminated Easter cheek art design menu to go along with my other design menus, so this gave me a great start exploring designs!

Recent Press for Paintertainment

A few weeks ago I was interviewed by my local paper about my new book…it was pretty fun for my boys to see Mommy on the front page! How fun!

I was also really excited to have this article published in April’s issue of Skin Markz magazine about my new book as well…

New e-Newsletter
 
Our free April e-newsletter went out recently and features some fun boy designs, as well as tips and suggestions for painting boys! 

New Design Experiments…
 
Here are a few designs I’ve done recently…

I’ve just started getting into my new Graffiti Eyes stencils, and I am really loving them so far!! I came up with this fun Lego man design a couple weeks ago and the little brick stencil really added a LOT to the design!

Looking for more great boy designs? Find step by steps of some of these and many more in my book, “Painting Boys!”

“Painting Boys” by Gretchen Fleener

Get a Step by Step of this design in my book: “Painting Boys!”

For this rocket ship I used 3 of the patterns in my Graffiti Eyes stencils…hexagons (on the left you can’t really see in the pic), stars, and a spattering pattern coming out of the jet!

Get a Step by Step of this design in my book: “Painting Boys!”

 This robot was really fun and my TAP gear stencil really added to it! I love to use fingertip daubers when I’m using paint with stencils. The small amount of sponge doesn’t take on too much water, making the paint much less likely to bleed.

Get a Step by Step of this design in my book: “Painting Boys!”

 My boys LOVE monster trucks and this design really went over well!  These tire track stencils really make it too…and they go on so easily with a little black Starblends and a lollipop blender in seconds!

Get a Step by Step of this design in my book: “Painting Boys!”

Other than all of this, I’ve been busy booking face painting, balloon twisting and henna for gigs as far out as August! If you’re looking to book an entertainer, definitely contact me soon as those summer weekends fill up fast and early!

Thanks for stopping in! 🙂

Hygiene in face painting is one of those topics that constantly resurfaces online.  How do you ensure everything is clean and you are not spreading germs while face painting?  The USA has no  laws regarding hygienic practices to adhere to while face painting, so it is really up to face painters to govern themselves and parents to avoid artists who appear to be using unsanitary methods.

The #1 rule for cleanliness in face painting is to use common sense!  Does your water look nasty? Change it!  Does the child have a gaping wound on their face? Don’t paint over it!  Sometimes we have a tendency to over complicate things.  The one rule that pretty much encompasses all you see below is to use common sense. However, I will outline a few good practices that I like to follow, to keep in mind when face painting.

First Things First…

Do NOT add alcohol or bleach to your rinse water or your paints!  Anything added to your water will be so diluted anyway that it will be totally ineffective for sanitizing purposes, and in turn may end up causing reactions to sensitive skin. 70% alcohol is only 70% alcohol if used right out of the bottle. As soon as you dilute it, it’s not disinfecting anything.

Adding any sort of chemicals to your paints will most likely void their warranty and leave you liable for any reactions.  The safe, reputable makeup brands that professional face painters use already have antibacterial agents in them, and the manufacturers advise against adding anything to them. If you are a person who is planning an event and are looking to hire artists, your best bet is not to go cheap or get volunteers…hire a professional who will use the right tools and practices for the job, because their livelihood depends on them doing so!

Before you start painting

If you see a child with an open wound, don’t paint over it. Choose a different spot or paint around it.  This is as much for the other kids as the child themselves, as we don’t want to agitate it further.  Same goes with severe acne or any other kinds of open sores.

If the child is visibly sick, runny nose, coughing up phlegm, don’t paint them. (or in the very least, don’t double dip, set aside the brushes or sponges you used on them so they can be thoroughly cleaned and sanitized before your next gig, and sanitize everything around you before the next child)

If your little canvas has a crusty face, ask the parents to clean them and then come back. You should not be expected to paint over dried boogers or dried on cotton candy sugar drool! You should not be expected to clean off other people’s children either, but if you feel comfortable cleaning faces yourself, great!

Your Work Station

A good rule of thumb is to look at your setup through the eyes of a parent.  Would you allow someone to paint your own child with water/paint that looks like that?  If not, take a pause for a quick cleaning.  With the right setup it only takes a minute to change your water and wipe down your hands and surfaces. Can’t get up from your chair for a break? Some artists bring along a “dump bucket” that is kept under their table, to dump out dirty water and refill with a clean bottle.

If your rinse water looks gross, change it!

If your paint kit looks like a mess, clean it!

You may not be able to kill every germ in sight all the time, but appearances go a LONG way to ease people’s minds. Keeping your water clean also helps keep your paints from getting muddy as well, so it improves the quality of your painting too.

Wipes: Do not use baby wipes on faces. There are just way too many reports of these things causing reactions on kids’ faces, so why chance your paints getting blamed for a reaction?  There are plenty of better things out there.

I keep makeup remover wipes on hand when I need to wipe a child’s face because they are made for the face and made to remove what we are putting on.  I also keep some anti-bacterial Clorox or Lysol wipes on hand, NOT for faces, but for wiping down and sanitizing my equipment. They work GREAT for cleaning out my brush tub too.  I just make sure to rinse out any residue from the wipes afterwards with clean water.

Keep a steady supply of hand sanitizer and wipes on hand and use them often. If your hands are getting messy, wipe them.  Use sanitizer as often as you can/wish. This is a great item to leave out and accessible to your customers as well.  It’s cheaper and lasts longer than wipes, and acts as visual reassurance to parents that you care about hygiene in your work.

While painting

Hair: If you’re using something to hold the child’s hair back, let them keep it.  I use bobby pins as they do the job just fine and don’t break the bank! I’ve even found some plastic sparkly ones in pastel colors at the dollar store that the girls love.

Lips: I never, ever use my brushes on lips.  If you wish to paint lips, you can easily find Q-tips at your local drug store, or other disposable applicators for super cheap. We even sell 1-sided cotton swabs in our shop, here,  as well as doe foot applicators which are great for lips. If you use lipsticks, you can rub the swab on the stick to pick up the makeup. I’ve actually smashed my lipsticks into a little pill container so I can pop open a lid and load a swab as needed. The key to using these, of course, is NOT to dip back into your paint or makeup to load more, otherwise you defeat the purpose!

Brushes: I love to use my Loew-Cornell “brush tub II”. The ridges in the bottom really scrub the paint out of the bristles.  When I’m not using that one, my other tubs have a perler bead tray in the bottom to act as a scrubber too. There are products on the market that you can add to your rinse water to help clean your brushes.  However, be aware that they do just that…they clean paint out of brushes…they do not kill germs.

Sponges: Some artists use one sponge per child. Others use one per color.  Most artists who use many sponges either hand wash every sponge individually after each event, or they drop them all into the washing machine in a lingerie bag.  We also sell a 50 pack of disposable sponges in our shop. I personally avoid sponges whenever possible…I prefer to use a wide brush and rinse it between kids & color changes instead.  I realize this wastes a lot of paint, but it feels cleaner to me, and I can sanitize my brush in alcohol between kids as needed.  Another good tip is to use black or dark colored sponges to hide stains.  Even though you may have totally sanitized sponges, parents can get the wrong idea when they see stained looking sponges.  This is the same reason I use dark colored towels around my work station as well. A towel can be used once and thoroughly washed, but look stained right away, if you use a light color.

YOUR germs: The kids aren’t the only ones with germs…we have them too! Avoid putting things in your own mouth. I shudder when I see artists re-forming their bristles with their mouth, or using their teeth to hold brushes.  I don’t even like seeing artists test out the paint consistency by painting on their own hand before starting on a face. If you have to brush excess glitter off of a child’s face, don’t blow in their face! (seems like common sense but some people do this)  You can use a fluffy brush to brush it away, or  a baby bulb aspirator to puff it away. Using hand sanitizer between kids is always a great idea!

After the gig:

Thoroughly clean all of your brushes and sponges after every gig and allow them to dry thoroughly before packing them away. Click here for our brush cleaning tips.

Allow your paints to dry before packing them up to avoid mold.

Thoroughly rinse and clean your brush tub.  Here’s a blog post with tips to help it get good and clean, even in between those ridges!

Wipe down any paint messes from around your kit, your mirror, your paint containers, and anything else that you or the kids touch.

Beyond your Control

No matter how hard you try to keep germs at bay, they will never be 100% under your control.  You will have sick kids standing in line infecting everyone around them before you even know they are there.  You may paint a child who is carrying something contagious and doesn’t know it yet.  Kids will have allergies that parents may or may not tell you about or even know about themselves. These are the same risks that everyone takes when they choose to set a foot outside their door and interact with other humans. Our choice is whether to live in fear, or take our chances.

The truth is, no matter how clean you keep your practice, kids are way more likely to come down with a nasty virus just waiting in line to have their face painted.  There really is no practical way to work in a completely sterile manner.  However, this doesn’t mean we shouldn’t try to stay as sanitary as possible! By following the suggestions here, you can help prevent the spread of germs to the best of your ability and put parents at ease by making a good effort.

More Information:

Click here to see the FACE face painting association’s safe painting practices:
http://www.facepaintingassociation.com/about-face/code-of-practice.html

Click here to see Australia’s guidelines for body painting:
http://ww2.health.wa.gov.au/Corporate/Articles/F_I/Face-and-body-painting

Click here to see Canada’s face and body painting guidelines:
http://www.albertahealthservices.ca/EnvironmentalHealth/wf-eh-face-body-painting-.pd

We have an array of fun, new additions to our shop that I’ve posted below! Be sure to scroll all the way down because we have new items in many categories: sponges, brushes, makeup, glitter and gemstones!

Spring is just around the corner and that means spring cleaning time in our shop! Stay tuned for a bunch of new additions to our clearance page within the next day or two. 

Happy painting!!  🙂

Sea sponge, $2.50

These scroll trims are really fun…there are 9 full repeating scroll designs on each 3 foot strip.

Stick-on Crystal Scroll $3.00 for 3 feet

Stick-on Pearl Scroll $3.00 for 3 feet

Mehron Glitter dust, $4.50

Mehron Mixing Liquid, $7.50

58 pc stick-on Silver pearls, $1.50 – Great for mermaid designs and princesses!

Loew-Cornell Flora Brushes, now carrying #6 and #2 in addition to the #10.

Loew-Cornell 5/8″ Angled Shader $13.99

Loew-Cornell 1/2″ Angled Shader $10.99

Global Neon 6-Color Palette with brush, $30.00

We also have THREE new package deals to go along with the new “Realism for Face and Body Artists” book!!

My new book is HERE! I’m so excited to finally have physical copies of this book that I’ve poured the last year of my life into and am even more excited to share it with all of you!

“Realism for Face And Body Artists” is unlike any other face painting book on the market today.  The book is a huge visual reference manual of subject matter that face painters commonly struggle with.  I look at this book as being like a week full of workshops on realism, only at $29.99 it costs a tiny fraction of the price, you can learn at your own pace, and you can take a full color copy of the course materials with you wherever you go to reference at any moment.

This book is designed for artists who crave something beyond step-by-step designs and are looking for more broad artistic instruction that can be applied to anything they paint.  It starts out with some basics of color, shading and perspective, and then expands with over 160 full color pages of tips, tricks and instruction to help you achieve more realistic water drops, fur, plants, beaches, fabric, eyes, gemstones, and a LOT more!  With over 450 full color photo, the book not only covers how to paint these different things, but also suggests ways to experiment with and study objects and lighting in real life, helping you gain a better understanding of the principles behind the tips and techniques.

This book is PACKED with content!!

Here is a detailed list of all of the topics covered in this book:

• Tools & Materials: Some of the supplies unique to the techniques in this book and what they are for
• Color: Basics of the color wheel and how to utilize secondary colors in shading
• Wash Techniques: Two methods I use to achieve soft, blended shadows
• Perspective: Basics of 2 and 3 point perspective, how to apply it to whatever you paint, and how to check your work to make sure things look right
• Foreshortening and how it works alongside perspective
• Perspective and Planes: How your perspective of a surface changes the shape of an object on that surface, such as the effects of a curling leaf on a water drop
• The anatomy of highlights and shadows
• Drop shadows vs cast shadows, principles of each, how the environment affects them, and when to use each
• Cartoon style: How proper, realistic placement of highlights and shadows is relevant even if you are painting more cartoony images, not just ultra realistic images
• Surface contours: Painting raised vs sunken in surfaces
• Surface breaks: Creating things like parting lines and the look of two surfaces that sit right next to each other (think battery doors, the break in a china doll’s moving mouth/chin)
• Silhouettes
• Finishes & textures: Painting reflective finishes, high gloss, matte and textured
• Reflective finishes: how to paint chrome
• Specific Textures: bricks, dirt, wood
• Water drops: anatomy of a water drop; moving beyond the step by step to explain how they are affected by the color, texture, and angle of the surface they lie on (as well as how the surface under a water drop is affected by the water on top of it), and other applications for your water drop painting skills besides dew drops
• Gemstones: Painting round stones, adding facets, how to shade a gemstone, and how to add depth & sparkle
• Hardware: Bolts, screws
• Fabric: Types of fabric folds and How to paint them: ribbons, ruffles, drop folds, pipe folds, spiral folds, diaper folds, zig-zag folds, half-lock folds, flying folds, pleats, & lace
• Insects: How to make your own spider study tool to learn about how lighting affects the shadows of a spider’s legs, and how the position of a spider’s legs change the shape of their shadows
• Flowers & Foliage: Things to remember when painting flowers, studying and painting different leaf angles, commonly painted leaf shapes, evergreens, and cacti
• Fur: painting tiger stripes and long fur
• Hair: adding highlights and shadows to hair…great for mermaids and princesses!
• Feathers
• Wings
• Sheer wings and fins
• Scales
• Eyes: Parts of the human eye, different angle views of the eye, animal eyes (dog, fish, bird, snake, dragon, tiger)
• Atmosphere: How the sky and ocean are affected by distance and atmosphere
• Beaches, Sand and waves
• Sunsets

Part of the section on painting gemstones

Right now this book is ONLY available HERE on Paintertainment.com.  I do hope to have it available at more retailers in the near future in the US and overseas, and will be sure to let you know via our Facebook page when it is! In the meantime, you can find it here!

(Please note that if you are only buying one book and are in the US, actual shipping is only about $6 in a flat rate envelope.  So, if the website charges you more than that, you will be refunded for any overages.)

We also now have several great package deals that include the book and some of the key tools you’ll find used in the book: a rake fan brush, stipple sponge, and both glycerine-based and wax-based black and white paint! There are three packages available, and all of them will save you money!

Check out these package deals here!

Thanks so much for stopping by, and happy painting! 🙂

This is one of those topics that I see cycling all over social media, and for good reason.  Legitimate, safe henna artists are constantly striving to educate the public against the dangers of “black henna,” which is in fact not henna at all, yet time and time again we see stories of awful reactions to black henna.  One only needs to do a Google image search for “black henna tattoo scars” to be flooded with horrific images of raised, red, and pus filled outlines of henna designs:

Google image search of “black henna tattoo scars”

It really is difficult to even look at. Nobody wants to imagine their child with a reaction like this.  The sad thing is that the majority of these people are not those who weighed the risks and decided to live dangerously and go for it anyway…these are people who innocently trusted a henna artist whom they thought was professional and safe, only to end up scarred for life by an experience that was meant to be fun or to commemorate a happy occasion.

Real, natural henna paste is never black.  It is made from a powdered plant that grows in the Middle East, mixed with lemon juice, sugar and essential oils. It smells lovely, leaves a temporary stain, and naturally fades over the course of a few days or weeks as your skin naturally sheds and regenerates. Here are a few photos for reference:

Fresh, natural henna paste: Henna powder, lemon juice, sugar and essential oils.

Having my foot done by the fabulous Lisa Seltzer. Note the color of the paste.

Freshly applied paste that I did on my own hand…it starts to darken as it dries but generally it should brownish.

Color variations at the different stages of a natural henna stain

So what’s so bad about black henna?  

Black henna contains para-phenylenediamine, also known as PPD, a chemical found in commercial hair dyes.  It is NOT intended for use on skin.  PPD, when directly applied to skin, can cause allergic reactions resulting in itching, redness, blistering and scarring. However, many henna artists mix it into their pastes, with a much higher concentration than you’ll find in hair dyes, in an effort to darken and lengthen the stain more.

 But I had a black henna tattoo and I’m fine!

Many people, when finding this out may think, “I had a black henna tattoo on our vacation but thank goodness it didn’t swell up and I didn’t have a reaction! I must have lucked out!”  However, it is important to note that even if a person doesn’t see any adverse visible reactions to a black henna tattoo, they can still have an anaphylactic reaction decades later if they decide to dye their hair.

Exposure like this to PPD can cause a sensitivity to hair dye that can last a lifetime.  In one recent very sad and extreme case, 39 year old wife and mother Julie McCabe had an anaphylactic reaction to her hair dye years after having a black henna tattoo in Dubai, went into a coma, and later died.

Less severe reactions can cause the design to blister, turning a temporary design into a permanent scar.

How do I protect myself and my kids from black henna?

Guilty until proven innocent.  First, be proactive and take responsibility for your own safety.  This may sound harsh, but your health and your children’s health are in your hands, and are more important than hurting a henna artist’s feelings! Do NOT trust a henna artist just because they are working out of a well known mall in your area, at a party put on by people you know.  Sadly, many event planners and organizers hire henna artists trusting that they wouldn’t be in business if they weren’t using safe materials, only to later be blamed for dozens of emergency room visits.   (This article mentions reactions to henna done at a mall that I’ve been to dozens of times, just minutes from where I used to live in a major city!) 

Be observant. Before you ever agree to have a henna tattoo done, observe the artist.  What color is their paste? It should be a light or dark brown color, not black.  Look at the photos they have on display of actual work they have done.  Is the paste black?  What does the final stain look like? A safe, natural henna stain should be an orange color immediately after the paste is removed, darkening over the course of a few days to a brown or burgundy color, not black.  

Ask questions. The most important thing you should do is ask the artist what ingredients are in their paste. Ask them flat out if they use only natural henna or if they add PPD or any other chemicals to their paste to enhance color.  You have a right to know what they are putting on your body!  A safe henna artist will most likely praise you for doing your research and asking them what is in their paste!If their answer, attitude, or body language makes you uncomfortable, go with your gut and keep walking.  NO henna tattoo is worth scarring your body or risking an allergic reaction later in life. Unfortunately seeing the word “natural” on their marketing materials does not mean that their paste is PPD free either, as this poor 6 year old boy found out the hard way.  This is why it is important to ask specifically what ingredients are in the paste, and to ask specifically whether there is PPD or any other chemicals.

Educate your kids.  Chances are your kids will come across henna, whether it be on spring break or a class party in their own school, and you won’t be there to investigate for them.  Again, right in my own backyard, 35 8th graders were sent to the ER with reactions to black henna tattoos they received at their 8th grade graduation party in 2011!

Ideally this article has reached you before a black henna artist has, but even if you have already been exposed, my hope is that you now know to stay away from hair dyes in the future, and pass this on to help educate and protect others.  Thank you for taking the time to read this post and protect yourself from negligent artists and naive event planners. Who knows, it could save you from a visit to the ER, or even save your life!

Articles & Links:

• “Black Henna Tattoos Can Be a Nightmare” – Minneapolis Star Tribune, Jan 26, 2013

• Coroner Attacks Cosmetics Firms After Mother Died of Massive Allergic Reaction to her L’Oreal Hair Dye
   
• 35 Twin Cities 8th Graders Sickened By Black Henna Tattoo Reactions
  
• Temporary Black Henna Tattoos Can Cause Severe Skin Reactions, Permanent Scarring: FDA
  
• More examples of natural henna stains done by myself
  
• Natural henna paste and supplies in our shop

I hope you’re all having a great February!  I know I’ve seen a lot more requests coming in for face painting again this month. Spring is coming and so are more gigs!

I thought I’d post a few photos from the past few weeks. If you follow us on Facebook you’ve seen these, but here are some of the things I’ve been doing lately! Sometimes I forget to update my blog so here it is, for you non-Facebookers!

I hosted another face painting jam last week and utilized the time (and kids present!) to update my Frozen themed design menu….

I LOVE jamming with my fellow local artists! I seriously wish I could do it several times a week, but alas…other duties call as well.  Every time we get together I learn something new.  Check out this awesome idea, for example…this is a snowflake button that can be used as a stamp! Just dab it with a paint-loaded sponge and stamp out perfect snowflakes. A friend got this in a goodie bag at an event she attended…what a great idea. I have a trip to the fabric store on my to-do list now!

The next day I did a little experimenting with Baymax on my boys! It was my little guy’s idea to add the lollipop in his hand…now I’d like to re-do that one but plan for it better, and have a fist sticking out holding it.

I’ve also been doing a little bit of henna as well.  Here is a design I did on my own arm, inspired by the stained glass work of Frank Lloyd Wright:

Here’s a photo of some experimentation with sandal ideas on my feet:

I did a little henna on a friend’s sister and daughter a few weeks ago which was fun…they chose some designs from my book of practice henna on paper…

I think I found this one on Pinterest??

This was the first design I had done on myself at the Polar Sling henna gathering a few months ago by the wonderful Angela Aspeslet! It’s been chosen by a couple others who have seen it in my practice book and always turns out pretty.

I was also super honored to be featured on 6 pages of the February issue of Skin Markz magazine! How exciting!!! They published some of the content from one of my recent blog posts on achieving speed in cheek art.

Illusion Magazine has another fun competition going on…lip art! Here is my entry, inspired by those little chattering teeth wind-up toys. I still have mine from when I was little! 🙂

The biggest thing that I have been eating, sleeping and breathing for the past month has been my NEW BOOK!  I was hoping to have it done in time for summer but really cracked down and made myself work on it for several hours per day for several weeks, and got it all polished up and off to the printers! I approved my final proof yesterday and hope to have them in my hands by Thursday. I can’t wait! Here are some pics of the front and back cover:

Realism for Face and Body Artists – front cover

Realism for Face and Body Artists – front cover

Like my previous One Stroke Face Painting book, this one will be coil bound. So, it will lie nice and flat on your tabletop while you work, making it an easy reference.

Hello painty friends!

We have a few new items in the shop that I wanted to let you know about!

I’m super excited to finally be carrying Lea Selley’s wildly popular Graffiti Eyes stencils!  So far we have the Ultimate Graffiti Eyes Stencil Set, but do plan on carrying the others in the coming months.  $28.00 buys you three stencils packed which 20 different graffiti elements, as well as several step by step idea cards to get you started. I love how durable these stencils are, and how fun and easy it is to layer them and incorporate them into so many design ideas!

Ultimate Graffiti Eyes Stencil Set

We also have TWO new package deals! 

The first is the “Ultimate Steampunk Package Deal,” which includes  3 of Mehron’s metallic powders, Paradise Brilliant silver and gold makeup, gold lipstick, three must-have steampunk stencils, gold and silver Liquid Bling, AND a 16 piece dauber set. These daubers work great for adding quick screw heads! Simply load with your gray or other metal color, add a touch of a darker shade on one corner, press and twist.  Perfectly uniform, round, and 3-D looking screw heads every time! The items in this package individually add up to $81.98 but the package deal is only $74.99, saving you $6.99!

Ultimate Steampunk Package Deal

Our 2nd new package deal is this fun “Springtime Package Deal!”  This one comes with all sorts of fun springtime goodies… Ruby Red’s butterfly fan brush, yellow and green cosmetic glitter, a BAM flower stencil, TAP Easter egg stencil, a bag of fun neon google eyes, and a Cameleon “Jellybean” Colorblock split cake! The items in this package individually add up to $39.40, but the package together is just $34.95, saving you $4.55! 

Springtime Package Deal

Stay tuned to our blog and Facebook page as my new book “Realism for Face and Body Artists” will be in stock THIS WEEK and ready to ship! I can hardly contain my excitement! 😀 We also should have a new e-newsletter coming out soon as March is less than a week away!

Happy Painting!